Sony FS5 Camera User
The FS5 features:
✅ 2 channel XLR audio inputs
✅ Under-crank at 1, 2, 3, 6, 12 fps (S&Q Motion)
✅ Records slo-mo at 100, 200 & 400 fps
✅ Wired/LAN feed, or Wi-Fi (1280 x 780)
✅ SDI cable feed via 3G HD (1080/60P)
✅ HDMI output at (2160/30P)
✅ PLUS FS Raw 4:2:2 (Records 4096x2160 at 25/50fps & XAVC HD) ideal for feed into an Atomos 4K recorder
✅ PLUS HFR 120 fps
In my backpack
As a Sony FS5 Camera Operator, I take these extras around London.
☑ SanDisk 64GB Pro SD cards 4x
☑ BP-U60 batteries
☑ Yonguo YN300 Air top-light
☑ Sony MDR-7506 headphones
☑ Canon 24-105mm zoom lens
☑ Metabones Speedbooster
☑ Commlite CM-EF-NEX
☑ Sennheiser K6/ME64 microphone and a MOVO windshield
☑ Libec TH-650 tripod
Light adjustable in coarse and fine-tuning, more accurate and reliable.
- Color Temperature: 3200K-5500K
- Output Power: 18W
- Lumen: 2000LM
- Luminance Angle: 110°
- CRI: ≥95
Canon 24-105mm zoom lens
Metabones Speedbooster
Commlite CM-EF-NEX
Wireless Sennheiser AVX-ME2 lavaliere 10 pairs; 2 or 3 sets ideal for seated interviews: AVX-ME2 SET-3-UK (5055855)
Sennheiser G2 and G3 models use UHF (823-865Mhz/Ch70 licence-free):
- 1 x G3 EW100
- 2 x G2 EW100
- 1 x SKP G2 Tx / EW100 G3 Rx, ideal for a wireless boom.
- 1 x G2 EW100 Tx / EW500 Rx, with a 3.5mm mini-jack headphone socket built-in. Enable a boom operator to monitor audio levels from a third-party device.
ME64, MOVO windshield, and SKP 100 Tx / G2 EW100 Rx with a RODE boom pole.
- 416 Shotgun Mic in a Blimp, a Dead Cat with a C/F Boom Pole.
- ME66 Super-Cardioid Shotgun, RODE Blimp, and a Dead Cat.
